This has been sitting scribbled on a piece of paper in my dressing gown for ages. The dream was set in the world of Sapphire & Steel, one of the TV shows I absolutely loved as a teenager.
In it, I was playing darts with a man, a cricketer, who was about to die...
Then he was dead. And we were left in a sort of morass of light... fields of corn glowing with a low golden light, rather sinister. We're trying to push through it all.
Steel said, "He's left all his questions behind. He knew what he was doing."
The man had escaped the usual route of death by managing to leave behind all his questions about it. But this was very dangerous for those left in life. His questions has become a sort of stultifying force that you had to try to push your way through, like dense corn...
Monday, June 18, 2007
It's been a while
...But the book to date has been through the presentation mill, and will hopefully appear in the London Design Festival this year. Meanwhile, I want very much to finish it. And I've realised another vital plot point. Death is a bit of a theme in the book, and I wanted some way to presage it before we get into the mortal danger to Danny's Mum.
I remember reading something Ramsey Campbell said about plot difficulties, which was that often, when he hit an impasse, he would go back through what he'd already written and there, suddenly, would be a clue to what should happen next. It's that very peculiar quality of fiction writing, that your subconscious always seems several steps ahead, and only when you re-read what you've written do you see how many connections and layers you've created without even realising.
In this case, I suddenly realised that I had the perfect way to bring death into the story without overwhelming the plot early on. In the early stuff I've written, I describe a painting on the wall given to Danny's parents by a friend from art school who stayed with them when his marriage broke down. This friend, Tony, has gone on to be a well-known artist, and the gifted painting is 'worth a bob or two', as Danny's dad says.
Tony is going to die. It seems so obvious once you realise it. Tony will die, and it will upset Danny's parents, getting Danny thinking about deathy and what it means. In dreamland, there is now a reasion for him to encounter death - the empty chair - and his own fear of it.
Sorry, Tony.
I remember reading something Ramsey Campbell said about plot difficulties, which was that often, when he hit an impasse, he would go back through what he'd already written and there, suddenly, would be a clue to what should happen next. It's that very peculiar quality of fiction writing, that your subconscious always seems several steps ahead, and only when you re-read what you've written do you see how many connections and layers you've created without even realising.
In this case, I suddenly realised that I had the perfect way to bring death into the story without overwhelming the plot early on. In the early stuff I've written, I describe a painting on the wall given to Danny's parents by a friend from art school who stayed with them when his marriage broke down. This friend, Tony, has gone on to be a well-known artist, and the gifted painting is 'worth a bob or two', as Danny's dad says.
Tony is going to die. It seems so obvious once you realise it. Tony will die, and it will upset Danny's parents, getting Danny thinking about deathy and what it means. In dreamland, there is now a reasion for him to encounter death - the empty chair - and his own fear of it.
Sorry, Tony.
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